Tracktion’s Abyss aesthetically creates underwater sounds


By Sam McNiece

With interesting ways to browse and create sounds.

Monitoring, creators of interesting synths and effects, launched the Abyss to the world. Created by mathematician, AI veteran and musician Peter V, the Abyss promises “a new and unique approach to sound design and music production.”

What would you like to know:

  • Abyss is a visual synthesizer that features minimal numbers on the GUI because it focuses on the “art” of music.
  • Extensive tone colors are available to choose the building blocks for the patches.
  • Includes extensive routing options and MPE support for the modern producer.

Read all the latest product news here.

Dubbed a “visual synthesizer,” the Abyss visually represents its 2000 eerie sound tones on a map. Every tone has a different color from blue to green and everything in between. They are meant to represent the different ways we use words to describe sounds, e.g. hot, cold, dark, bright, etc.

In addition to being able to select these tone colors, the unique part of this synth is the position selector. It looks a lot like a gradient picker in image editing software that lets you place the aforementioned tone colors along the picker. It will automatically create a crossfade between the two tones, which you can then modulate through a number of different sources.

There are all the classic modulators, the modulation wheel, two ADSR envelopes, three LFOs and also the new MPE system which is in ROLI some products. Throughout the synth there are 13 modulators and 23 destinations to modulate, which includes the modulating LFOs of the LFO. Two of these LFOs can be used as step sequencers when the speed is reduced more slowly.

The effects on the Abyss look like things that live underwater, which is a good idea, but they’re actually just common Shimmer, Delay, Reverb, and Phaser effects.

Watch a demo of this interesting VST below.

Check Monitoring to learn more about the Abyss.

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